Choreographic Rules of Flow in Square Dancing 
 by Lynette Bellini 

 Caveat 
These are  my  rules of flow in square 
dancing. They are the result of thinking about how to program a
computer to write reasonable square dance choreography. I expect
no one to agree with these rules 100%; in fact, I personally break
every one of them some percentage of the time.

 Points of Rotation 
In order to have a method of discussing the various motions encountered
in square dance choreography, I have identified several points of
rotation:
-   A single dancer: the point of rotation is about the center
of a single dancer, as in the call roll.
-   Two dancers : the point of rotation is about a point between
two dancers.
-   Four dancers : the point of rotation is about a point in the
center of four dancers.
-   Center of the square : the point of rotation is about the
center point of the square.
There are multiple ways to pair dancers; swing and slip are both examples
of the two dancer point of rotation, but they are different. The same
thing applies for the four dancer situations: from waves, lockit and split
counter rotate operate around different points, but they are each four
dancers large.

 Rules 
-  The point of rotation must be different on every call for every dancer.
 
-  No dancer who has a lateral motion (leads on walk and dodge) should
receive a call that moves them in the direction opposite to that lateral
motion.
 
-  No dancer should travel continuously in one direction (clockwise
or counterclockwise), whether or not their point of rotation is constantly 
changing. 
 
-  The direction of rotation should not be abruptly changed. The smaller 
the point of rotation, the more incorrect it is to change the direction of
rotation (e.g. 1/4 right, then 1/4 left: the point of rotation is a single
dancer and therefore this pair of calls has incredibly bad flow).
Bonus rules (rules for writing choreography, but not flow rules):
-  Change the shape of the overall formation as frequently as possible.
 
-  Change the focus of attention as frequently as possible: from a wave
to a box, to the 8 dancer setup, to two dancers, etc.

 Back to the Challenge Dancing Page 
 Lynette Bellini  
January 11, 1996